2026

PULPULISTA

•8

Italy’s most famous monospaced & all porpouse sticky letter fonts redesigned as a proportional typeface, ready to be displayed, printed and sobstitute all the signs you want, as every populista has done in the past 40 years.

Revival typeface of “Font Populista” - digitalised by Alessandro Strickner.

Version 1.0 Espresso
1 style
1 weight
110 Glyphs.

2026

CYMBELINE

•7

«Fear no more the heat o’ the sun, Nor the furious winter’s rages». A conservative para-graphic redesign of one of the first affiches of the Tragedy’s play. From the material collected and the different editorial publications analyzed here’s now, in a poster format, as a gift to a dear one, in a modern and present layout, contaminated by my personal visual taste and a playful couple of custom ornamental dividers.

Affiche for “The Tragedie of Cymbeline” by William Shakespeare.

50x70 cm
1/1 printed on Enviro®nature 150g
Hershey Noailles Times Triplex + TT Old Standard by Luuse.

2025

NON

•6

«Not to money not to love nor to the sky» is a visual reinterpretation of the original vinyl’s cover from the 1971 of Fabrizio De André’s masterpiece. Shaped like a map, it unfolds like poppy flowers’ leaves, leaving a trace in your heart while guiding your emotions through the sharp words of each song.

Foldable Zine for “Non al denaro non all’amore né al cielo”, music album by Fabrizio De André.

18,5x21 cm & 5x2 folds
1/1 printed on Favini alga ivory
Bianco Sans & Serif by AlfaType + Arnold Bocklin.

2025

BySH

•5

A playful type-based visual system to enrich the visual identity of BySalomonHospitality, from white to black, playing with grey, a set of simple letter adapts to the different printed formats to define a flexible grid, able to define space and deliver structure to the company’s image.

Printed & digital re-Branding for BySalomonHospitality..

Neue Haas Grotesk by Max Miedinger at Commercial Type.
Designed at Todo En Orden Estudio.

2025

[BENCH].collettivo

•4

Bench is a design collective that reimagines the public bench as a space for presence and connection in a world of digital overload, social distancing, and constant productivity. Bench reminds us the unspoken meaning of the ordinary. In that stillness, we reclaim our humanity, in our public spaces, and our community.

Collective Identity & visual strategy.

Master Project at MVD25 Elisava school of design
Co-designed with T. Morara & A. Guerrero
Timezone 1.0 Regular & Mono by Studio HanLi.

2025

SKINS

•3

An editorial piece, crafted to trace a path experimenting new paper treatments. Using trees’ bark as embossing matrix, the obtained pattern samples were selected to explore a new physical and tactile way of communicating the natural’s ecosystems in our cities. The final goal is also to reconnect to the source: the paper to the tree.

Cahier de projet on bark embossing.

12x17 cm digital print & metal ring binding
Vegetal & Crush Cocoa + custom natural Leather cover
Courier New + Bodoni Ornaments
Mentored by Ruben Pater.

2024

CÒRE

•2

«Reverse the consumption process, reconnect with the matter you use, embrace its precious potential, and remember to share it with a friend».

Zine on Re-shaping skateboarding.

16 pages zine
24x17 cm (Inverse page order)
ABC Gaisyr by DINAMO
Mentored by Mark Bohle.

2023

ZANZARTE

•1

«Inclusivity as a narrative for highly vulnerable people in a cultural institution. A three year journey generating a new cultural communication, alternative, and more human exhibited at Musei Reali along with the permanent collections».

Visual inclusivity in cultural exhibitions.

2x72 pages guide books & merch
15x21 cm digital print
Easyreading font for dislexia by Federico Alfonsetti.

type@ / DM@